"Laugh, and the world laughs with you. Weep, and you weep alone". Park Chan-wook's Old Boy isn't just a revenge thriller - it's a cinematic descent into madness, memory and myth. A loose adaptation from the Japanese manga of the same name, the film follows Oh Dae-su, a man who has been imprisoned for fifteen… Continue reading Vengeance, Confinement and the Myth of Memory in Old Boy (2003)
Marriage is hard work, but what if it's a trap? David Fincher's Gone Girl isn't just a thriller - it's a cinematic autopsy of modern marriage, media manipulation and the masks that we wear to survive both. Adapted from Gillian Flynn's novel , the film follows Nick Dunne (Ben Affleck) as he becomes the prime… Continue reading The Performance of Perfection in Gone Girl
Stanley Kubrick's final film; Eyes Wide Shut is a cinematic descent into the shadowed corners of intimacy. Adapted from Arthur Schnitzler's 1926 novella Dream Story, the film follows Dr. Bill Harford (Tom Cruise) as he spirals through a surreal night of jealousy, eroticism and existential unraveling after his wife Alice (Nicole Kidman) confesses a secret… Continue reading Understanding Kubrick’s Eyes Wide Shut: A Deep Dive
Desire, Deception and the Art of Becoming Someone Else Anthony Minghella's The Talented Mr. Ripley (1999) is more than a psychological thriller - it's a study of envy, elegance and existential performance. Set against the sun-drenched coastlines of 1950's Italy, the film follows Tom Ripley (Matt Damon), a social outsider who infiltrates the gilded world… Continue reading The Talented Mr. Ripley: A Study of Identity and Deception
One Room. One Shot. One Secret Alfred Hitchcock's Rope isn't just a thriller - it's a cinematic experimentation in tension. Set entirely in a Manhattan apartment and filed to appear , as one continuous take, the film traps it's audience in real time, turning the frame into a pressure cooker of guilt, arrogance and voyeurism.… Continue reading Rope (1948)
Ronin Cinema 