"Laugh, and the world laughs with you. Weep, and you weep alone". Park Chan-wook's Old Boy isn't just a revenge thriller - it's a cinematic descent into madness, memory and myth. A loose adaptation from the Japanese manga of the same name, the film follows Oh Dae-su, a man who has been imprisoned for fifteen… Continue reading Vengeance, Confinement and the Myth of Memory in Old Boy (2003)
Three Films. Three Silences. One Cinematic Retreat Inward. This week's moodboard stems from quiet rooms, distant planets and the emotional weight of being alone. These films don't shout, they linger. They explore solitude not as absence but as atmosphere. Each story turns their isolation into introspection and their silence is the storytelling. This week is… Continue reading Introspection & Isolation
Marriage is hard work, but what if it's a trap? David Fincher's Gone Girl isn't just a thriller - it's a cinematic autopsy of modern marriage, media manipulation and the masks that we wear to survive both. Adapted from Gillian Flynn's novel , the film follows Nick Dunne (Ben Affleck) as he becomes the prime… Continue reading The Performance of Perfection in Gone Girl
Stanley Kubrick's final film; Eyes Wide Shut is a cinematic descent into the shadowed corners of intimacy. Adapted from Arthur Schnitzler's 1926 novella Dream Story, the film follows Dr. Bill Harford (Tom Cruise) as he spirals through a surreal night of jealousy, eroticism and existential unraveling after his wife Alice (Nicole Kidman) confesses a secret… Continue reading Understanding Kubrick’s Eyes Wide Shut: A Deep Dive
Exploring intimacy as strategy, desire as distortion and relationships as battleground This week's watchlist slips into the shadowed corners of intimacy - where love isn't soft, and power doesn't shout. These five films explore the tension between affection and control, seduction and strategy, vulnerability. Whether set in royal courts, suburban homes or haunted apartments, each… Continue reading Intimacy in Film: Power Dynamics Explored
Ronin Cinema 