Transformation isn't horror. It's heartbreak John Landis' An American Werewolf in London is a genre-defying howl of a film - equal parts body horror, dark comedy and tragic myth. It follows David, a young American backpacker bitten on the Moors and cursed to transform under the full moon. What unfolds is a cinematic metamorphosis: grotesque,… Continue reading The Cinematic Genius of An American Werewolf in London
Half vampire. All vengeance. Before Twilight sparkled and True Blood simmered, Blade slashed through the screen with martial elegance and mythic fury. Directed by Stephen Norrington and starring Wesley Snipes in a career defining role, Blade fused horror, action and comic book lore into a cinematic cocktail of blood, leather and techno beats. This wasn't… Continue reading Blade: The Vampire Film That Redefined Genre
The shadow that started it all Before velvet capes and romantic sighs, there was Count Orlock. F. W. Murnau's Nosferatu is the original vampire - a silent expressionist nightmare that turned shadow into story and fear into architecture. Released in 1922 and nearly lost to copyright battles, the film survives as a haunting relic of… Continue reading Nosferatu: The Birth of Horror’s Iconic Nightmare
Welcome to Santa Carla! Joel Schumacher's The Lost Boys isn't just a vampire film - it's a cultural artifact. Released in 1987, it fused horror with teen rebellion, gothic myth with MTV swagger. Set in the fictional town of Santa Carla ("the murder capital of the world"), the film follows two brothers who discover that… Continue reading The Lost Boys: A Vampire Classic Revisited
Elegy in silk and silence. A love that never arrives Wong Kar-wai's In the Mood for Love is not a romance - it's a requiem. A film of glances, gestures and gliding camera work, it tells a story of two neighbours in 1960's Hong Kong who discover their spouses are having an affair. In their… Continue reading The Silence and Longing in In the Mood for Love
Ronin Cinema 